The Brochure

With the editorial that I produced and the monochrome colour palette that I developed, I decided to move onto other products that could be used for the tattoo brand and began to make a brochure. I knew that I wanted the brochure to be landscape and fold twice (essentially having three segments on the brochure).

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Because of the distinct boldness surrounding the almost-black and white within the palette I knew that this was the obvious choice to have while progressing into the design. I divided the three segments into white-black-white so that each one would juxtapose against each other while making it interesting for the teenage target audience. The simplicity of this colour palette allowed me to experiement with these two tones and I love how this design looks (as well s links to the previous designs of the other platforms to create synergy) because it is eye-catching and fits the brief of the tattoo parlour, while being quite contemporary and modern which will appeal to the demographic. I could add a slight hint of the blue within this design, however, for this format I don’t think that it will work because the black and white is so powerful and distinctive within the layout of the brochure.

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On the opposite side of the page I will have the colours the opposite way around. This will make it less repetitive and I think it works well and creates an equal divide between the two colours so that the design is continuous. I’m not sure what content I will have on the reverse side of the brochure, but I now that it will be minimal and have as little as possible with eye-catching designs so that it appeals to the audience and develops the brand’s identity.

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As part of the development I decided to make the logo of the brand larger so that it overfills the page. This decision was made because I didn’t think the small logo worked, although was recognisable; but by having it in this composition it is still recognisable as the brand and it suites the style of the design better. The logo is still centred and follows the monochrome palette which is in-keeping with the style, and with the shadow which is on the logo divides the panels- although these will be folded so I don’t think it makes a big difference. I’m happy with how this format and platform of marketing has worked and I think it an appropriate method for the brand to distribute. Now, I will continue to design the brochure and finalise the design on the remaining panels.

Theory of Relativity: The Start

I had no idea where to start when we first got our second brief so I decided to start with the Theory of Relativity itself. As I didn’t fully understand this, I watched this YouTube video which sums up the subject nicely. I found this really helpful and it lead me to a few ideas that I’m going to start playing around with. For example, I want to look at the element of space and perspective, which I feel will work well in this project because of the navigation of websites. This could be really interactive and a great starting point to look at. I’ve also thought that I could play with the aspect of perspective, using the way people look at things in particular ways to create illusions and an interactive/visually interesting website. Therefore, I need to look into existing websites and identify my target audience so that I can make sure it is suitable for them.

Mock-up: Business

HarpersMockUp2 Harpers logo

This Mock-up was made in the style of stationary that could be used for a business. As I had created the whole alphabet as a serif font previously so I chose to use it for a Lawyers firm. I think that this is suitable because it looks professional and serifs are generally used for this area of business because it is taken more seriously. I used this in conjunction with a black, white and grey colour scheme because I liked the aesthetic of this and I works well to juxtapose the typography off of the products.

On some of the stationary I used the H as a branding element and I think that this works well together with the other products because of the colour scheme and the boldness of the design. The problem that I have encountered, though, is that the Harpers logo isn’t easily readable because of the thinness of some of the lines in the typography. Therefore, for my final piece I am going to develop this so that it is is more readable, yet still keeping the serif font and colour scheme.

David Carson

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I have decided to research into David Carson as I’m interested in the way he displays his typographies and how they always look energetic and grab your eye all around the surface area. Most of the fonts he uses are sans-serifs, though to add contrast and juxtapose these he mixes them with serifs by overlaying and creating an interesting composition that catches the audiences attention. I think this style works on posters and other forms of advertisement, though it probably wouldn’t work on packaging as it would be distracting and hard to read.

I’m also interested in how he uses simplistic colours to set the letters against each other subtly. The colours add definition to the composition and layout, while they are still the key focus of each graphic design which works extremely well in all of these instances. I will try to experiment with this type of idea to see if I can produce something in Carson’s style.