Paper cut typography

By researching into Mia Pearlman and her paper cuts I was inspired to have a go at this in a typography style. I was unsure how to do this because all of her artwork is 3d and they cover large spaces. So, I used her techniques of drawing the directions within the outline of the typography and then cutting them out so that it flowed and followed a pattern, but in a more simplistic way.

PaperR PaperS2

I like the outcome of these because the cuts are noticeable and bold, yet they don’t overpower the type. I had a go at two different styles on both of the letters, using Pearlman’s techniques in each to see which one would work best. The first one was solely paper cuts running in a style that emphasised the curves of the letter R. In the second image I have attempted to used her contrast of black and white the way that she draws some of the cuts onto the paper to juxtapose them against each other in order to make it seem more dramatic. Although, in this instance I feel that it doesn’t work as well because they look slightly random. Maybe this could work better in a 3D form along with different backgrounds.

PaperR2 PaperS1

These are the same paper cutouts but photographed on different backgrounds. Instead of using white on white I used a striped background so that it would contrast the cuts and hopefully create more of a shadow. I prefer this outcome as the outline of the individual letters make them easier to read, which I feel improves the overall appearance and aesthetic.

Shadow Typography

From my research I was inspired by artists and the different techniques that there are to create typography. I wanted to try something new out, and from looking at existing book covers I saw how some people created shadows with cutouts. From the cutouts I have changed this, by having a style that only cuts out half of the letter so that it creates shadows/is folded for the other half.

Shadows

 

I find this style interesting because it doesn’t look like a typical typography. The cutout part is my favourite, because even without the shadows in the image the type looks interesting and has depth. Furthermore, the 3D element would look interesting on a book cover and I would like to develop this further so that it can be used on something. The shadow element, too, is intriguing because it adds another element to the typography. I love this because it stands out in many ways and follows the monochrome theme that I am interested in along with the paper cuts which could work on many styles of packaging and book covers.

 

Mia Pearlman

Mia Pearlman produces paper cuts of a large scale that have been inspired by the weather. They are also inspired by current events and political and environmental news, reflecting the mood by having chaotic directions and bold cuts to juxtapose the different elements in her work.

whorl_detail_right2_600 33_Pearlman_PENUMBRA_center_det2 mia-pearlman

I have been inspired by her because I am interested in the technique of paper cuts and they can be dramatically used to portray a message or style. For typography this is harder to create because there are less chances to create the directions and movement in the individual letters. Though, on a small scale I think that I could create something in this style using the basis of her designs. I could either simply cut out the typography with the cuts flowing in a direction as a flat basis, or overlay different layers in a 3D font that reflects the mood and emotion of her artwork. Either way, I think that this would be an interesting style to look at and it could work well to create an interesting type face.

http://miapearlman.com/

Vectors: Progress

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To develop my hand drawn typography I created them into vectors on Illustrator by using the tutorials shown to us in the workshops. By doing this it made my original typography neater and more accurate, and therefore, I am able to make it into a real, working type face.

Screen Shot 2015-10-20 at 20.18.35 Screen Shot 2015-10-20 at 20.19.34

I am using Glyphs to turn them into a type face. I have never used this before so I am finding it difficult to create them but I’m slowly getting used to it. It is taking longer than I had expected but I want to make them all equal and perfect so that it looks professional. I am hoping to get this done in the coming weeks so that I can experiment with them on different projects and packagings.

Sewing Typography

As an experiment I had a go at making a physical typography using sewing. To do this I drew a circle and sewed around it so see what it would create. I didn’t specifically choose any directions or ways to create this because I wanted to see what would happen if I went with the flow in a natural direction.

SewingA Sewing0

 

I liked the way that the A turned out because you can’t specifically tell that it had been drawn within a circle, but I think that this has helped with the geometric style because it follows a pattern and looks interesting. The O, however, didn’t turn out as well. I don’t like the overall appearance because it looks boring and doesn’t flow as well at the other letter. When looking back at this, I think that I could have added more directions maybe at the edge and subtly going through the middle so that it looks visually interesting and not like a generic O.